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IRENA SENDLER
February 15, 1910 – May 12, 2008
Underground organizer of the safekeeping of
2,500 Jewish children during the Holocaust –
a Righteous Among the Nations – and a
2007 Nobel Peace Prize nominee
Irena Sendler (in Poland: Sendlerowa), a Polish Catholic who, under cover of her position as a municipal social worker during the German occupation, smuggled hundreds of children out of the Warsaw ghetto – in everything from potato sacks to coffins, and sometimes thanks to underground corridors and bribes – has died at the age of 98. As director of the Children’s Aid Section of "Zegota", the underground Council for Aid to Jews, she organized the safekeeping of almost 2,500 Jewish children in Catholic families, convents, and orphanages during the Holocaust. She always rejected the label of hero, insisting that she only did what had to be done, and that she did it in collaboration with dozens of women co-workers and a wide network of courageous Poles. When arrested she never revealed their names despite severe torture by the Gestapo.
In 1965 Israel’s Yad Vashem Holocaust Memorial Institute recognized Irena Sendler as a Righteous Among the Nations, one of the first to be thus honored. She was only given the honor personally in 1983, after Poland's Communist authorities finally agreed to allow her to travel abroad. In 1991 she was named an honorary citizen of Israel. In 2003 she was awarded Poland's highest medal, the Order of the White Eagle. On March 14, 2007, the Senate of Poland unanimously passed a resolution honoring the World War Two activities of Irena Sendler and ?egota, and that year she was a nominee for the Nobel Peace Prize ultimately given to Al Gore.
She was born Irena Krzyzanowska in Warsaw on February 15, 1910, to a Catholic family, her father was a doctor who ran a suburban hospital, and many of whose patients were impoverished Jews. "I was taught that if you see a person drowning,” she once said, “you must jump into the water to save him, whether you can swim or not."
As a municipal social worker with official access to the Warsaw Ghetto, the young Sendler was a leader among like-minded women who used a whole repertoire of ploys to bring, when emotionally wrenching parental consent was granted, otherwise doomed children to hiding places on the Aryan side. By the time of full-scale deportations to extermination camps, ?egota was established with financial assistance from the Polish Government-in-Exile as the only such underground organization in Nazi-occupied Europe, and Sendler was asked to direct the Children’s Aid Section, and kept careful records in the hope of eventually reuniting the children with their parents. Though that rarely happened, there are survivors throughout Poland and the world who regard Irena Sendler as a kind of surrogate mother.
After the war Irena Sendler continued in her profession as a social worker and also became a director of vocational schools. During the Communist era, honest discussion of Polish-Jewish relations was “off limits”, and Ms. Sendler lived for many years in quiet obscurity. In her latter years she was cared for in a Warsaw nursing home by Elzbieta Ficowska, head of the Warsaw branch of the Children of the Holocaust Association, who – in July 1942, at six months old – had been smuggled out of the ghetto by Irena in a carpenter's toolbox.
In 2000 some Kansas schoolgirls wrote a play about Sendler called Life in a Jar, referring to a story of how the names of the rescued were hidden. When their teacher brought the girls to Warsaw to perform for Sendler, she began to re-emerge from obscurity. There is a biography by Anna Mieszkowska called Mother of the Children of the Holocaust: The Story of Irena Sendler. There has been talk of a film, with Angelina Jolie in the starring role. A major documentary called In the Name of Their Mothers is nearing completion.
But Sendler has said: "We who were rescuing children are not some kind of heroes. That term irritates me greatly. The opposite is true – I continue to have qualms of conscience that I did so little. I could have done more. This regret will follow me to my death."
At the news of Sendler’s death, Marek Edelman, the last surviving leader of the 1943 Warsaw Ghetto uprising, said on television, “A great person has died – a person with a great heart, with great organizational talents, a person who always stood on the side of the weak."
Her marriage to Mieczyslaw Sendler ended in divorce after the war. Her second husband, Stefan Zgrzembski, predeceased her, as did their two sons, but she is survived by their daughter, Janka, and a granddaughter.
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JUDAICA FOUNDATION’S FOURTH ANNUAL FELEK AWARD
CONFERRED UPON PROF. WLADYSLAW BARTOSZEWSKI |
The 2007 “Felek” Award, a statuette dedicated to the memory of journalist Rafael F. Scharf, a builder of bridges between Jews and Poles, was awarded to Professor Wladyslaw Bartoszewski, Auschwitz survivor, historian, statesman, former Minister for Foreign Affairs of Poland, former Polish Ambassador in Vienna, and recently appointed as a Secretary of State in the Prime Minister’s Office.
The Committee honored Professor Bartoszewski in recognition of his outstanding achievements in Polish-Jewish dialogue, in bringing the Jewish heritage closer to Polish society, and for hissimple but often courageous message that " it is always better to be decent".
The ceremony of awarding the statuette to Professor Bartoszewski took place at the Center for Jewish Culture in Krakow on December 13, 2007, during the promotion of the third edition of his book, "He Is From My Fatherland"
The award, established by the Judaica Foundation in Krakow in 2004, is given in recognition of outstanding achievement in preserving the heritage of Polish Jewry and making it better known. The statuette is awarded by a committee made up of Betty Scharf (London), Janina Ruth Buczynska (Krakow), Lili Pohlman (London), Prof. Jan Blonski (Krakow), Michal Sobelman (Warsaw) and Joachim S. Russek (Krakow, registrar of the committee).
The statuette commemorates Rafael F. Scharf, born in Kazimierz in 1914, graduate of the Krakow Hebrew Gymnasium and of the Faculty of Law at Jagiellonian University, and long-time journalist at Nowy Dziennik, Krakow. Although he spent most of his life in London, where he settled in 1938, he always remained a devoted amicus Cracoviae, engaged in Polish-Jewish affairs and committed to the concept of building bridges between Jews and Poles.
During the last fourteen years of his life he was a co-founder and creator of the Judaica Foundation and its Center for Jewish Culture in the Kazimierz district of Krakow, where he frequently spoke and shared his experiences and knowledge of the richness of Jewish life in pre-war Kraków. He died in London in September, 2003.
The “Felek” statuette is the work of the Krakow sculptor, Jerzy Noworol.
WARSAW AUTUMN 2007.
50TH
INTERNATIONAL FESTIVAL OF CONTEMPORARY MUSIC
Sep. 21-29, 2007
Poland’s major international festival of
contemporary music, and highly regarded worldwide, the
"Warsaw
Autumn"
was
for many years the only event of its kind in Central and
Eastern Europe.
Organized by the Association of Polish Composers during the
political thaw of 1956, the festival has been held annually
(except for ’57 and ’82) ever since. Conceived by composers
Tadeusz Baird and Kazimierz Serocki, the aim of the festival was
to acquaint Poles accustomed to the dominant socialist-realist
style of the Stalinist period (socrealizm) with
international avant-garde music, and to introduce Polish
contemporary music to an international audience. During the
Communist years the festival played an extremely important role
as a catalyst for both Polish composition and for exposure to
contemporary world music not only in Poland but in other
Communist countries, including the USSR.
The Judaica Foundation -
Center for Jewish Culture in Krakow
is
pleased to
announce that
THE “FELEK”
STATUETTE,
dedicated to the memory of Rafael F. Scharf,
has been awarded for the year 2006 to
PROFESSOR ANTONY
POLONSKY
of Brandeis University, Waltham, MA.
This award,
established by the Judaica Foundation in Krakow in 2004, is
awarded in recognition of outstanding achievement in preserving
and making known the heritage of Polish Jewry. The statuette is
awarded by a committee made up of Betty Scharf (London), Janina
Ruth Buczynska (Krakow), Lili Pohlman (London), Prof. Jan Blonski
(Krakow), Michal Sobelman (Warsaw) and Joachim S. Russek (Krakow,
secretary of the committee). The award ceremony took place at the
Judaica Foundation’s Center for Jewish Culture in Kazimierz on the
occasion of a New Year’s Eve concert on December 31, 2006. The
“Felek” statuette is the work of the Krakow sculptor, Jerzy
Noworol.
The statuette commemorates RAFAEL F. SCHARF, born in
Kazimierz in 1914, graduate of the Krakow Hebrew Gymnasium and of
the Faculty of Law of the Jagiellonian University, and long-time
journalist of Nowy Dziennik, Krakow. Although he spent most
of his life in London, where he settled in 1938, he always
remained a devoted amicus Cracoviae, engaged in
Polish-Jewish affairs and committed to the concept of building
bridges between Jews and Poles. During the last fourteen years of
his life he was a co-founder and creator of the Judaica Foundation
and its Center for Jewish Culture in Kazimierz, where he
frequently spoke and shared his experiences and knowledge of the
richness of Jewish life in prewar Krakow. He died in London in
September 2003.
ANTHONY POLONSKY,
an
expert on the history of the Jews of east-central Europe and in
particular on Polish-Jewish relations, holds the Abramson Professorship of Holocaust Studies at
Brandeis University, a chair created through a gift to the U.S.
Holocaust Memorial Museum, where Professor Polonsky is a regular
participant in programs organized by the Museum’s Center for
Advanced Holocaust Studies.
In 1999 he was awarded the Knight’s Cross of the Order of Merit by
the President of the Polish Republic.
Professor Polonsky is a co-founder of the Institute of
Polish-Jewish Studies in Oxford and of the American Association
for Polish-Jewish Studies. He is Chair of the Editorial Collegium
of POLIN: Studies in Polish Jewry, which has appeared since
1986 and is the most important English-language scholarly
publication devoted to this topic.
He is the author, co-author and editor of numerous publications
devoted to the history of Poland and of Polish Jews, including
Jews in Eastern Poland and the Soviet Union 1929-1946 (with
Norman Davies, 1991), A Cup of Tears: A Diary of the Warsaw
Ghetto (London, 1990), My Brother’s Keeper? Recent Polish
Debates about the Holocaust (London, 1989), Jews in
Warsaw
(with Dr. Wladyslaw T. Bartoszewski jr., 1991) and Politics in
Independent
Poland
(Oxford, 1972).
The Polish Cultural Institute is proud to announce that
MONIKA SOSNOWSKA,
who debuted in the US in our Architectures of Gender
exhibition at SculptureCenter,
will represent
Poland at the
52nd
VENICE BIENNALE
CURATOR: SEBASTIAN CICHOCKI,
a 2003 fellow of the Polish Cultural Institute in NYC
The Ministry of Culture and National Heritage announced that
Sebastian Cichocki,
program director of Kronika Gallery in
Bytom, will be curator of the
Polish
Pavilion at the 52nd Venice Biennale of Art.
His project, presenting a work by Monika Sosnowska, won a
competition organized by the Ministry and the National Gallery of
Art “Zacheta.”
Sosnowska’s project will be an installation under the working title
„1:1” – the skeleton of a modernist building constructed inside the
1930s Polish Pavilion. Sosnowska’s realization is part of a broader
debate on the heritage of modernism, which is not limited to
architecture, art, and design.
Sebastian Cichocki
(b. 1975) is a sociologist, art critic, for many years curator at
the Kronika Gallery in Bytom, and since 2006 its program director.
Cichocki collaborated with Berlin’s Buero Kopernikus and Macedonian
Press to Exit, among others. Lecturer in Curatorial Studies at
Jagiellonian University in Krakow. Cichocki is the author of more
than 200 published texts on contemporary art, translated into
English, French, German, Italian, Russian, Latvian, Estonian,
Macedonian, and Dutch. His texts were recently published in the
books Memorials of Identity. New Media from the Rubell Family
Collection, Miami (USA), Das Radio empfiehlt, Bielefelder
Kunstverein, (Germany), Ideal City/ Invisible Cities,
(Poland/Germany), Raport – Not Announcement, BAK Utrecht (The
Netherlands), Muzeum sztuki.
Antologia tekstów,
Universitas (Poland), among others.
Monika Sosnowska
(b. 1972) studied at the Academy of Fine Arts in Poznan and
Rijksakademie van Beeldende Kunsten in Amsterdam. The artist
collaborates with the Foksal Gallery Foundation in Warsaw. Sosnowska
is famous for her installations of a labyrinthine character that
re-shape the interiors of buildings through optical illusions. In
her art, she often refers to the East European experience of
post-war modernization in apartment complexes, railway stations, and
shopping center. “Secondary” features of architecture are also
important to her, such as the then dominant coloristics, and the
choice of specific building materials. She often explores fragments
of architecture imperfect or ill-conceived. Works by Monika
Sosnowska have been shown at the Museum of Modern Art in New York,
Serpentine Gallery in London, Foksal Gallery Foundation in Warsaw,
The Modern Institute in Glasgow, De Apple in Amsterdam, and OPA in
Guadalajara, Mexico, among others. Her works were also presented at
the exhibition Display II at the Kronika Gallery in Bytom in
March 2006.
>>> MORE ABOUT THE ARTIST
...One must firmly
and irrevocably realize once and for all that sculpture is neither
literature, symbolism, nor individual psychological emotion.
Sculpture is exclusively the creation of form in space.
Sculpture addresses all people and speaks to them in one and
the same way
Katarzyna Kobro,
Rzezba i bryla (Sculpture and Mass), Europa, No.
2, 1929
Artists to
Artists:
The annual Katarzyna Kobro Award
was established in 2001 by Nika Strzeminska, the
artist’s daughter, Georg von Kobro, and artist Jozef Robakowski
(Katarzyna Kobro Award Chairman).
The prize is intended to honor a progressive and searching attitude,
an artist open to the creative exchange of ideas...
The jury for the award has always consisted of the most outstanding
Polish artists from different generations.
The 2006 jury included Teresa Murak, Konrad Kuzyszyn, Slawomir Sobczak,
Alicja Zebrowska, and Zuzanna Janin.
In previous years the award has been given to Zbigniew Dlubak (2001),
Jürgen Blum-Kwiatkowski (2002), Andrzej Dluzniewski (2003), Krzysztof
M. Bednarski (2004), and Teresa Murak (2005).
Krzysztof Wodiczko,
the 2006 laureate, was decorated on December 16 in the Wschodnia
Gallery in Lodz.
The
award is sponsored by the Polish art collectors and brothers, Dariusz
& Krzysztof Bienkowski.
Swarthmore Theater Professor
Allen Kuharski
Honored
for Raising Awareness of Polish Theater Around the World
Ceremony: Thursday, October 19, 2006, 4:15 PM
Institute of Art of the
Polish Academy of Sciences
26/28
Dluga Street, 00-950 Warsaw, Poland

Allen
Kuharski, Chair of the Theater Department at Swarthmore College, Associate
Professor, and resident director, has been named winner of the 2006
Stanislaw Ignacy Witkiewicz Award by the Polish Centre of the
International Theatre Institute – UNESCO in Warsaw. The award is given in
recognition of his accomplishments in “raising awareness of Polish
theatrical culture around the world.” Prof. Kuharski will travel to Poland
in October as a guest of the Polish Ministry of Culture and the National
Theater. He will receive a diploma and a sculpture by a contemporary
Polish artist at an event held in his honor.
>>> MORE
ON PROF. ALLEN KUHARSKI
>>> MORE
ON POLISH CENTRE OF THE INTERNATIONAL THEATRE INSTITUTE
ARCHITECTURAL COMPETITION LAUNCHED
FOR THE NEW
MUSEUM OF
MODERN ART IN WARSAW
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The initiative to create one of the world’s great new “Museums of
Modern Art” – formalized in March, 2005, as a joint project of
former Warsaw Mayor Lech Kaczynski and then Minister of Culture
Waldemar Dabrowski – just took a major step towards realization on
December 15, 2005, when Poland’s newly elected President Kaczynski
and the Minister of Culture, Kazimierz Ujazdowski, presided over the
opening ceremony of the international architectural competition for
the building that will house Warsaw’s own “MoMA”, the Museum of
Modern Art in Warsaw. |
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The new Museum's
site marked with the work by Piotr Uklanski for the agreement
signing celebration in March 2005 |
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Remarkably, in a country that saw no museum construction at all in
the 60 years since World War Two, this will be the fifth museum
initiative in Warsaw within the past year, following the opening of
the Warsaw Uprising Museum and preparations to build the Museum of
the History of Polish Jews (its recent architectural competition won
by the Finnish team of
Rainer Mahlamäki and Ilmari
Lahdelma), a Museum of Communism, and the Copernicus Science Center.
The Museum of
Modern Art will be located in the heart of Warsaw’s grand new urban
center that will surround, with historic symbolism, Stalin’s famous
gift to the Poles, the Palace of Culture and Science. The Museum’s
edifice is envisioned as a formidable new locus of modern culture
that will attract a wide spectrum of visitors with its original
architecture, highly interactive program, and a vast array of other
location-enhancing initiatives. Its important feature will be its
open stance toward the city’s public spaces in an attempt to fuse
cultural experience with transportation and leisure zones. The
expected number of visitors will be between 800,000 and 1,000,000
per year. The Museum‘s informational and educational offerings will
be addressed to between 200,000 and 300,000 participants per year.
The Museum’s broad
objectives, as currently formulated, are that it will serve as a
place of dialogue and reflection upon the condition of modern art in
post-1989
Europe. The
Museum is intended to house users and processes, not just spectators
and objects, and for this reason it is expected to stand out among
other similar facilities. The Museum will also host exhibitions of
Polish modern and contemporary art presented in its international
context,
presenting important phenomena in contemporary art by means
of collection, exhibition, promotion, education, research, and other
forms of cultural activities that establish communication with
audiences and the international community of artists. Estimates call
for completion of the new museum by 2008, at a cost of ca. 50
million Euros.
The one-stage
Competition, preceded by a candidate pre-approval phase, is open to
all participants who meet the conditions set forth in the
Competition Rules.
The deadline for submission of applications for admission to
the Competition is
February 28, 2006 (by 4:00 p.m. Warsaw time). The deadline for
submission of competition entries is June 14, 2006 (until
4:00 p.m. Warsaw time). The Competition Jury will make its
deliberations during the first half of July, 2006. For other
intermediate deadlines and for all other information, visit the
website (in both Polish and English) of the
Museum
Competition.
The
international jury for the Competition has thirteen members,
with Michał Borowski, Chief Architect of the City of Warsaw,
presiding, and including also the Polish artist Paweł Althamer;
Christie Binswanger, architect, Herzog and de Meuron, Basel;
Jerzy Grochulski, architect, Warsaw; Ryszard Jurkowski,
president of the Association of Polish Architects; Vittorio
Magnago Lampugnani, architect and urban planner, Milan;
Bohdan Paczowski, architect and art critic, Luxembourg; Anda
Rottenberg, Chair of the Program Committee, MoMA in Warsaw;
Andrzej Rottermund, Director of the Royal Castle in Warsaw;
Sir Nicholas Serota, director of the Tate Gallery, London;
Deyan Sudjic, London-based architecture critic, and curator of
the Venice Architecture Biennale 2004; Adam Szymczyk,
director of the Kunsthalle Basel; and Tadeusz Zielniewicz,
Director of the MoMA in Warsaw Project.
The Competition offers substantial monetary awards for First,
Second, and Third Place winners, and for at least 10 participants
who win Honorable Mention.
FINNISH ARCHITECTS
Lahdelma
& Mahlamäki
WIN INTERNATIONAL
COMPETITION
FOR THEIR DESIGN OF A
BUILDING FOR
THE MUSEUM OF THE
HISTORY OF POLISH JEWS
At a press conference in Warsaw on June 30 an international jury
announced the winner of the architectural competition for a design
of the building for the planned Museum of the History of Polish
Jews. The winner is the Finnish architectural team of
Rainer Mahlamäki
and
Ilmari
Lahdelma,
whose design was one of eleven finalists from a total of 119
submissions from all over the world, including Poland, Germany, and
Israel.
In a blind
competition in which the anonymous entries bore numbers, the
architects' Helsinki-based firm beat out better-known competitors
such as Daniel Libeskind, designer of
Berlin's landmark Jewish Museum, and Peter Eisenman, designer of the
Berlin Holocaust memorial. Lahdelma and
Mahlamäki, winners
of more than 25 architectural competitions, are perhaps best known
for their lyrical
Finnish
Forest
Museum.
For more information on their innovative firm, visit
www.ark-l-m.fi .
The Museum of the History of Polish Jews, which has
been making headlines in
Poland, Israel, and
the USA long before its groundbreaking, will be an important cultural
and educational center devoted to the memory of a civilization that
flourished on Polish soil for centuries before being obliterated in
the Holocaust. The design for the permanent exhibit of the Museum was
completed by the London-based Events Communications prior to the
architectural competition and served as a basis for the architects’
proposals. The narrative and multimedia Museum is scheduled to open in
2008 and over the years will take millions of visitors on an
experiential tour of almost ten centuries of Jewish life in
Poland.
For more info visit
www.jewishmuseum.org.pl .
THE MUSEUM OF
THE HISTORY OF POLISH JEWS
A “museum of
life” is officially born.
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On
January 25, 2005, after several years of discussion, debate, and
planning, a finalized agreement was signed at the Ministry of
Culture between the Polish government, the Warsaw City Council, and
the Association of the Jewish Historical Society to create a
partnership to build the long-awaited Museum of the History of
Polish Jews. Minister of Culture Waldemar Dabrowski signed for the
Polish Government; the Mayor of Warsaw, Lech Kaczynski, signed for
the Warsaw City Council; and Professor Jerzy Tomaszewski signed as
Vice-President of the Jewish Historical Society, parent organization
of the planned Museum, which will be in charge of the Museum's
content and architectural design. Fiscal responsibility for the
construction itself is shared with the two government partners,
which have pledged 40 million PLN each towards the creation of the
Museum, for a total (over $25 million) covering more than half the
projected cost. This is an extremely important development --
one that will make it possible to start construction of the Museum
as soon as the architectural plans are finalized and approved.

The state-of-the-art interactive Museum is intended to start
filling an enormous void in the historical consciousness of both Poles
and Jews by vividly evoking the rich culture of the Jewish people that
was able to thrive on Polish soil and contribute to Polish culture for
over 800 years. As President Aleksander Kwasniewski expressed it,
“The Museum will give young people in
Poland
the chance to get to know the splendid and colorful Jewish culture
that was once an integral part of our multi-cultural landscape -
a landscape of which Poland has been brutally dispossessed.”
At an international conference on plans for the Museum in
Warsaw on April 18, 2002, Shimon Peres, Chair of the Honorary
Committee, said, “So here we meet again, not as two countries, but
as two civilizations, not as two political bodies, but as two historic
neighbors, each living within the bones of the other, trying to hand
down the truth to our children and to posterity.”
Bohdan Paczkowski, Chairman of the Jury of the Architectural
Competition, has written: “The task of the building of the Museum
of the History of Polish Jews in
Warsaw is to inform and to move feelings. A visit to the museum should
be an experience leaving a lasting mark, evoking internal change in
visitors, where something that seemed distant comes closer and becomes
more comprehensible.”
Dr. Michael Berenbaum,
prominent historian who was instrumental in the development of the
U.S. Holocaust Memorial Museum, said during a Museum presentation in
Los Angeles on October 11: "The creation of a Museum is an
extraordinary opportunity to speak of the past and to educate the
current generation and thus to shape the future. Memory is preserved
in a museum, preserved and transmitted, and in the case of Museum of
Polish Jewish History we have the opportunity to invoke the presence
of those who are absent, to recall their lives and the way they lived
and shaped their own culture and Polish culture before they were so
brutally murdered.”
For more information and news on the Museum of
the History of Polish Jews or how one can contribute to its
completion, visit
www.jewishmuseum.org.pl
(additional information at
www.mk.gov.pl ) .
Contact info:
Eva
Wierzynska, Ewa
Zadrzynska
845 West End Avenue, Suite 4B
New
York, NY 10025
Tel: 1 (212) 961-0059, (212) 222-6802
Fax: 1 (212) 663-6863, (212) 665-3981
eva@interaccessinc.co
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