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© Leszek Sczaniecki
The Polish Cultural Institute in New York,
the Yale Repertory Theatre, and
the World Performance Project at Yale

Theatre of the Eighth Day (Poznan)
written and designed by the ensemble
directed by Lech Raczak

US Premiere!

Monday, November 2, 2009 - Saturday, November 7, 2009
Monday, November 2, 5:30-7:00 PM
Tuesday, November 3, 6:00-8:00 PM

Thursday-Saturday, November 5-7, 2009, 8:00 PM
Performances of Wormwood

Frederick Iseman Theater
1156 Chapel Street, New Haven, CT
Tickets: $10-$35 Tel: 203.432.1234

a brave and moving attempt to capture the meaning of the whole of the recent Polish experience in 70 minutes of densely packed images that are worked out in every small detail.- Joyce Mc Millan, Arts Guardian

the fervour behind the brilliantly crafted stage pictures, the cast of four's unselfconscious yet heightened use of bodies, faces, and voices, takes on a harrowing immediacy at such close quarters.- Mary Brennan, Glasgow Herald

the company created a dark, nightmarish world peopled by desperate characters.

- Sarah Hemming, The Independent

The legendary Theatre of the Eighth Day from Poland returns to the U.S. with the revival of their celebrated production Wormwood, with the original cast. First presented in Poland in 1985, it was famously banned at the time because of its open and frank depiction of life in Poland during Martial Law. Wormwood is brought to the U.S. by the Polish Cultural Institute on the 20th anniversary of the fall of Communism in Central and Eastern Europe.

Wormwood was the famous dissident group's last production in communist Poland. It's history is almost a parable for the absurd fate of culture under totalitarian regimes. The Polish Communist Party shut down the production, and the would-be audience was met by a police cordon at the scheduled premiere at the Adam Mickiewicz University theatre in Poznan. The ensemble outwitted local party officials and the police by organizing a secret premiere the following day at a different time in the same location.

After performances in churches and clubs of the independent culture circuit in many Polish cities, it was to be presented at the Edinburgh Festival in 1985, but the authorities granted passports to only half the group's members. As a consequence, a new production, Auto Da Fé, was quickly devised. Based on Tadeusz Konwicki's A Minor Apocalypse, a biting (and banned) satire on life in Poland at the end of the 1970s, the production won the Festival's Fringe First Prize. Polish authorities denounced the award, claiming that the ensemble 'did not exist.' Later, those ensemble members who were allowed to leave Poland toured the production in Western Europe, and those left behind mounted a different adaptation under the novel's original title. The whole group reunited only in June 1988 in Italy, at which point the Theatre of the Eighth Day became a theatre-in-exile, performing Wormwood throughout Europe.

With story, text and design created collaboratively by members of the Theatre of the Eighth Day's ensemble, Wormwood is directed by Lech Raczak and features music by Arnold Dabrowski. It is performed by Ewa Wojciak, Adam Borowski, Tadeusz Janiszewski, and Marcin Keszycki.

Performed in Polish with English supertitles.

Wormwood has a running time of approx. 60 min., and each performance is followed by a talk back with the artists.

Founded in 1964, the Theatre of the Eighth Day was one of the most uncompromising theater groups in Communist Poland and remains just as uncompromising today. It made its U.S. debut to critical acclaim at the MADE IN POLAND Festival in New York City in November 2008, where it presented its 2007 avant-garde docudrama, The Files, based on actual secret police reports made between 1975 and 1983 on the Theatre's actors. Tom Sellar, in a Village Voice review of The Files, wrote: ... it's a small miracle to sit face-to-face with actors who made history by risking everything to tell the truth - today, having won, they look a lot like truth's living embodiment.

Presented by the Polish Cultural Institute in collaboration with the Yale Repertory Theatre, World Performance Project at Yale and the European Studies Council, with a Title VI National Resource Center grant from the US Department of Education. The lecture is co- sponsored by The Whitney Humanities Center and Theater Studies.

Generous support for Wormwood was granted by the Trust For Mutual Understanding, the Marshall of the Wielkopolska Region, and the President of the City of Poznan.

More About the Theatre of the Eighth Day

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Lecture and workshop

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