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Czeslaw Milosz
Photo by MichaB Mutor / Agencja Gazeta

Milosz has the indomitable strength of the committed writer, urgently pouring out, for the past seventy years, works too numerous, and too complex, to be grasped in their entirety by any single reader's mind. - Helen Vendler, New York Review of Books


He is among those members of humankind who have had the ambiguous privilege of knowing and standing far more reality than the rest of us. - Seamus Heaney


Czeslaw Milosz, poet, essayist, translator, and literary historian, won the 1980 Nobel Prize in Literature, as a writer "who with uncompromising clear-sightedness voices man's exposed condition in a world of severe conflicts". His work has been accurately characterized as "one of the monumental splendors of poetry in our age," (Edward Hirsch, The New York Times Book Review).


Milosz was born of Polish parents in the multi-ethnic world of Lithuania in 1911, and was raised and educated in Vilnius. Counting himself among the last of the Polish Lithuanians, he recalls, "We were something else, Lithuanians, but not in the accepted twentieth-century sense, which says that to be a Lithuanian you have to speak Lithuanian". While studying for his law degree as early as 1930 he already began to garner recognition for his poems. In 1931 he and a group of university associates formed the literary circle, "Zagary," or "Brushweed," advancing a vision that critics called "catastrophist." He traveled between Wilno and Paris in the early 1930s, meeting frequently with his relative, Oskar Milosz, also a poet of metaphysical concerns, returning in 1935. He was working for Polish Radio in Warsaw when the Germans invaded, then wrote and edited resistance publications, including an underground poetry anthology, that proliferated in risky defiance of the occupation.


After the war Milosz entered the diplomatic service, first as cultural attaché in New York and Washington, and then in Paris, where, following the suppression of Poland's coalition government in 1951, he requested asylum. In Paris he was vilified by most French intellectuals (who saw Communism and Stalin as the hope of the future) for breaking with the Communist regime, and was regarded coolly by many earlier Polish émigrés for having served it. In part to keep his sanity he wrote The Captive Mind (1953), his brilliant study of the "mental acrobatics" of Polish writers who chose to conform to Stalinist dogmas. During his ten years in Paris Milosz won acclaim throughout Europe for translated editions of his poetry, novels, and essays, which were banned in Poland. In 1960 Milosz accepted a position as a visiting lecturer at the University of California at Berkeley, and became a full professor there in 1961, and for the next twenty years combined his writing with teaching courses on subjects ranging from Dostoevsky to Manicheanism. Yet in Cold-War America The Captive Mind remained his only well-known work until 1973, when a volume of Milosz's poetry was published in English for the first time, finally sparking his renown in the English-speaking world as a poet and not just a political essayist.


As a Nobel Laureate Milosz returned to Poland in the summer of 1981 for the first time in 30 years - to a country spiritually liberated by the Solidarity movement - and he was welcomed as a national hero. Publication of his banned books resumed, but was again forbidden with the imposition of martial law that December. Until 1989 he mainly published in the Paris émigré journal Kultura and in the Polish underground press. After 1989 he lived in Berkeley and in Krakow.


Czeslaw Milosz died on August 14th 2004 and is buried in the crypt at the Church of St. Michael the Archangel and St. Stanislaw on the Rock (Na Skalce) in Krakow.
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