KRZYSZTOF
WODICZKO - RESUME
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SELECTED
PUBLIC
PROJECTIONS
RETROSPECTIVE EXHIBITIONS
SELECTED ONE-PERSON EXHIBITIONS
SELECTED GROUP EXHIBITIONS
SELECTED PUBLICATIONS
PUBLIC COLLECTIONS
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PUBLIC
PROJECTIONS:
§
Old Courthouse, St. Louis, Missouri 2004
§
Tijuana,
Mexico: Public Projection for InSite 2000, 2001
§
New
York City: NYC Department of Public Affairs Building (former),
Columbus Circle, organized by
Public Art Fund (video projection) 1999
§
Tiananmen Square, Beijing, China: Goya to Beijing, Krzysztof
Wodiczko & Li Huai, Project for the
anniverary of the political
struggle for democracy 1999
§
Hiroshima,
Japan: A-Bomb Dome Projection, organized by Hiroshima City
Museum of contemporary
Art in conjunction with solo exhibition 1998
§
Bunker Hill
Monument, Boston, MA: as part of exhibition Vita Brevis: Let
Freedom Ring, Institute of
Contemporary Art, Boston (video
projection) 1997
§
Andrzej
Wajda Festival, Krakow, Poland (video projection) 1996
§
Arco de la
Victoria, Madrid, Spain, organized by the Circulo de Bellas Artes,
Madrid in conjunction
with the exhibition El Sueño Imperativo
1991
§
Oud-Amelisweerd, Bunnik: organized by the Centraal Museum, Utrecht in
conjunction with the
exhibition
Night Lines (catalogue) 1991
§
Zion
Square, Jerusalem: A New Necessity, organized by The Israel Museum,
Jerusalem in conjunction with the exhibition Life Size: A Sense of
the Real in Recent Art (catalogue) 1990
§
Huth-Haus,
Potsdammer Platz, West Berlin: organized by DAAD in conjunction with
the exhibition Die Endlichkeit der Freiheit (catalogue) 1990
§
Lenin
Monument, Leninplatz, East Berlin: organized by DAAD in conjunction
with the exhibition Die Endlichkeit der Freiheit (catalogue)
1990
§
New York
City: organized by the Whitney Museum in conjunction with the
exhibition Image World: Art and Media Culture (catalogue) 1989
§
Tuxedo Royale (ship), Tyne River, Newcastle upon Tyne, England:
organized by First Tyne International, Newcastle in conjunction with
the exhibition 1989
§
San Diego
Museum of Man, San Diego: The Border Projection (part one),
organized by the La Jolla Museum of Contemporary Art in conjunction
with solo exhibition 1988
§
Centro
Cultural Tijuana, Mexico: The Border Projection (part two),
organized by the Centro Cultural de Tijuana in conjunction with solo
exhibition at the La Jolla Museum of Contemporary Art 1988
§
Flakturm,
Arenberg Park, Vienna, Austria: organized by the Wiener Festwochen
1988
§
Neue Hofburg,
Heldenplatz, Vienna, austria: organized by the Wiener Festwochen 1988
§
National
Monument and National Observatory, Calton Hill, Edinburgh, UK:
organized by The Artangel Trust, London, and the Fruitmarket Gallery,
Edinburgh, for the Edinburgh Festival 1988
§
Hirshhorn
Museum, Washington DC: organized by the Hirshhorn Museum and Sculpture
Garden as part of the exhibition series WORKS 1988
§
R.C. Harris
Water Filtration Plant, Toronto, Canada: organized by Visual Arts
Ontario in conjunction with the exhibition Waterworks 1988
§
Westin Bonaventure Hotel, Los Angeles, CA: organized by the Los
Angeles Institute of Contemporary Art 1987
§
Museum Fridericianum, Kassel, West Germany: organized for Documenta
8, Kassel 1987
§
Martin
Luther Kirchturm, Kassel, West Germany: organized for Documenta 8,
Kassel 1987
§
Real Estate
Projection, Chicago: organized by the Randolph Street Gallery, Chicago
1987
§
Arsenale,
Venice, Italy: organized by the Canadian Pavilion, XLII Biennale di
Venezia 1986
§
Condottierre
Colleoni Monument, Campo Santi Giovanni e Paolo,Venice, Italy:
organized by the Canadian Pavilion, XLII Biennale di Venezia 1986
§
Campo
Santa Maria in Formosa, Venice, Italy: organized by the Canadian
Pavilion, XLII Biennale di Venezia 1986
§
Campanile,
Piazza San Marco, Venice, Italy: organized by the Canadian Pavilion,
XLII Biennale di Venezia (two versions) 1986
§
Fine Arts
Center, University of Massachusetts, Amherst 1986
§
Allegheny
County Memorial Hall, Pittsburgh, PA: organized by the Mattress
Factory, Pittsburgh 1986
§
Replica of
Condottierre Colleoni monument, Academy of Fine Arts, Warsaw, Poland:
organized by Galeria Foksal, Warsaw in conjunction with a solo
exhibition 1986
§
The Soldiers
and Sailors Civil War Memorial, Boston, MA: The Homeless Projection
2, organized for First Night, Boston 1986
§
Performing
Arts Center, State University of New York at Purchase: organized by
the Neuberger Museum, SUNY at Purchase in conjunction with solo
exhibition 1985
§
Nelson’s
Column, Trafalgar Square, London, UK: organized by the Institute for
Contemporary Art and the Artangel Trust, London in conjunction with
solo exhibition at Canada House, London 1985
§
South
Africa House, Trafalgar Square, London, UK 1985
§
Duke of
York’s Column, Waterloo Place, London, UK: organized by the Institute
for Contemporary Art and the Artangel Trust, London in conjunction
with solo exhibition at Canada House, London 1985
§
Bundeshaus,
Bern, Switzerland: organized by the Kunsthalle and Kunstmuseum Bern in
conjunction with the exhibition Alles und Noch Viel Mehr at the
Kunstmuseum 1985
§
Royal Bank
of Canada, Place Ville-Marie, Montreal: organized by the Centre
International d’Art Contemporain, Montreal in conjunction with the
exhibition Aurora Borealis 1985
§
Guildhall,
Derry, Northern Ireland: organized by the Orchard Gallery Derry, in
conjunction with solo exhibition 1985
§
Cenotaph and
Grand Parade War Memorial, Halifax, Canada: organized by the Anna
Leonowens Gallery, Nove Scotia College of Art and Design, Halifax in
conjunction with solo exhibition 1985
§
Seattle Art
Museum, Seattle, WA: organized by the Center on Contemporary Art,
Seattle in conjunction with the exhibition Public Comments 1984
§
AT&T Long
Lines Building, New York City: organized by The Kitchen, New York 1984
§
Astor
Building/The New Museum of Contemporary Art, New York City: organized
by The New Museum of Contemporary Art 1984
§
Conference
Center, Ohio State University, Columbus, OH: organized by the
International Conference of Humanities on George Orwell’s 1984
§
Penthouse
Building, New York City: organized by the Tower Gallery, New York in
conjunction with the exhibition Body Politic 1984
§
Soldiers and
Sailors Memorial Arch, Grand Army Plaza, Brooklyn, New York City:
organized by the Prospect Park Administrator’s Office, NYC Parks &
Recreation, New Year’s Eve 1984
§
Victory
Column, Schlossplatz, Stuttgart, West Germany: 1983
§
Hauptbahnhof,
Stuttgart, West Germany: organized by the Württembergischer
Kunstverein, Stuttgart, in conjunction with the exhibition Künstler
aus Kanada: Räume und Installationen 1983
§
Bow Falls,
Banff, Alberta, Canada: organized by the Banff Center 1983
§
Museum of
Natural History, Regina, Saskatchewan, Canada: organized by the Regina
Art Gallery 1983
§
South
African War Memorial, Toronto, Canda: organized by the Ydessa Art
Foundation, Toronto in conjunction with solo exhibition; undertaken,
with lawyer present, despite denial of permission to project by
Toronto Historical Board; police halt projection after two hours 1983
§
Memorial
Hall, Dayton, OH: oOrganized by the City Beautiful Council, Dayton
1983
§
Old
Courthouse, Dayton, OH: organized by the City Beautiful Council,
Dayton 1983
§
Sinclair
Community College, Dayton, OH: organized by the City Beautiful
Council, Dayton 1983
§
Federal Court House, London: organized by the Greater London Art
Gallery, London 1983
§
War
Memorial, Adelaide, Australia: organized by the Adelaide Festival and
the South Australian School of Art, Adelaide in conjunction with the
exhibition Poetics of Authority: Krzysztof Wodiczko at the
Gallery of the South Australian College of Advanced Education 1982
§
Festival
Centre Complex, Adelaide, Australia: organized by the Adelaide
Festival and the South Australian School of Art, Adelaide, in
conjunction with the exhibition Poetics of Authority: Krzysztof
Wodiczko at the Gallery of the South Australian College of
Advanced Education 1982
§
Mutual Life
and Citizens Assurance Company Centre Tower, Sydney, Australia:
organized for The Biennale of Sydney 1982
§
Art Gallery
of New South Wales, Sydney, Australia: organized for The Biennale of
Sydney 1982
§
Qantas International Centre, Sydney, Australia: organized for The
Biennale of Sydney 1982
§
American
Express Building, Sydney, Australia: organized for The Biennale of
Sydney 1982
§
The
Confederation Centre for the Arts, Charlottetown, Prince Edward
Island, Canada: organized by The Great George Street Gallery,
Charlottetown in conjunction with solo exhibition 1981
§
Nova Scotia
Power Corporation Plant, Halifax, Canada: organized by the Centre for
Art Tapes and Eye Level Gallery, Halifax in conjunction with solo
exhibition at Eye Level Gallery 1981
§
School of
Architecture, Technical University of Nova Scotia, Halifax, Canada:
organized by the Centre for Art Tapes and Eye Level Gallery, Halifax
in conjunction with solo exhibition at Eye Level Gallery 1981
§
Scotia Tower, Halifax, Canada: organized by the Centre for Art Tapes
and Eye Level Gallery, Halifax, in conjunction with solo exhibition at
Eye Level Gallery 1981
§
Art Gallery
of Ontario, Toronto, Canda: organized by A Space, Toronto 1981
§
City Hall,
Peterborough, Ontario, Canda: organized by Artspace, Peterborough in
conjunction with solo exhibition 1981
§
Empress
Hotel, Peterborough, Ontario, Canda: organized by Artspace,
Peterborough in conjunction with solo exhibition; projection stopped
by police at request of hotel management 1981
§
Massachusetts Institute of Technology, Cambridge, MA: organized with
technical assistance from the Massachusetts College of Art, Boston
1981
§
Toronto,
Canada: first tests of outdoor architectural slide projections
(various locations: University of Toronto subway, elementary school)
1980
§ Indoor projection in Toronto subway, Canada; projection stopped by
subway authorities for unauthorized use of electricity, 1980
§
Indoor projection, Maritime Mall, Halifax, Nova Scotia, Canada:
organized with the technical assistance from the Nova Scotia College
of Art and Design, Halifax 1980
RETROSPECTIVE EXHIBITIONS:
§ De Appel Foundation, Amsterdam 1995
§ Center for Contemporary Art „Zamek Ujazdowski”, Warsaw 1995
§ Contemporary Arts Center, Houston (catalogue) 1993
§ Walker Art Center, Minneapolis (catalogue) 1992
§ Fundacio Tapies, Barcelona (catalogue) 1992
§ Muzeum Sztuki, Lodz (catalogue) 1992
§ Wadsworth Atheneum, Hartford 1989
§ La Jolla Museum of Contemporary Art, San Diego 1988
§ List Visual Arts Center, Hayden Gallery, MIT, Cambridge (catalogue) 1987
§ Foksal Gallery, Warsaw 1986
§ Ydessa Gallery, Toronto 1985
SELECTED ONE-PERSON EXHIBITIONS:
§
Galerie Gabrielle Maubrie, Paris 2001, 1997, 96, 92, 91, 89
§
Galerie Lelong, New York City 2000, 1996
§
The
4th Hiroshima Art Prize, Hiroshima City Museum of Contemporary Art
1999
§
University of North Texas Art Gallery, Denton, Texas 1997
§
Fonds
Régional d’Art Contemporain des Pays de la Loire, Nantes 1997
§
Foksal Gallery, Warsaw 1995, 77, 76, 75, 74, 73
§
Ecole
Nationale Supérieure des Beaux Arts, Paris 1995
§
Josh Baer Gallery, New York City 1991
§
Hal Bromm Gallery, New York City 1989, 87, 84, 80, 78, 77
§
Exit Art, New York City (traveling exhibition) 1989-90
§
The
Painted Bride Art Center, Philadelphia
(traveling exhibition)
1989
§
Portland Art Museum, Portland, Oregon
(traveling exhibition)
1989
§
Washington Project for the Arts, Washington D.C.
(traveling exhibition)
1989
§
Wexner Center for the Visual Arts, Columbus
(traveling exhibition)
1989
§
Hirschhorn Museum, Washington D.C. (catalogue) 1988
§
Clocktower, New York City 1988
§
Kunstgewerbeschule, Vienna 1988
§
49th Paralle, New York City 1986
§
Neuberger Museum, State University of New York at Purchase 1986
§
Canada House, London 1986
§
Orchard Gallery, Londonderry, Northern Ireland 1986
§
Robert McLaughlin Gallery, Oshawa, Ontario 1986
§
Anna
Leonowens Gallery, Nova Scotia College of Art and Design, Halifax 1986
§
Gallery of the South Australian College of Advanced Education,
Adelaide (catalogue) 1982
§
Franklin Furnace, New York 1981
§
The
Great George Street Gallery, Charlottetown, Prince Edward Island 1981
§
Eye
Level Gallery, Halifax, Nova Scotia (catalogue) 1981
SELECTED GROUP EXHIBITIONS:
§
Strangers: The First ICP Triennial of Photography and Video,
International Center of Photography, New York 2003
§
Bright Lights Big City,
David Zwirner, New York 2003
§
Micro Políticas: Arte Y Cotidianidad, Espai d’art Contemporani de
Castelló,
Castelló, Spain 2003
§
Aliens in America: Others in the USA,
Lamont Gallery at the Frederick R. Mayer Art Center, Phillips Exeter
Academy, Exeter, NH 2003
§
Global Priority,
Herter Gallery, University of Massachusetts Amherst 2003
§
Interrogative Design Group,
MIT Wolk Gallery, MIT School of Architecture and Planning, Cambridge,
MA 2002
§
Artecidade Zonaleste, Sau Paulo, Brazil 2002
§
Designs for the Real World,
Generali Foundation, Vienna, Austria 2002
§
Global Reflections,
Center for Maine Contemporary Art, Rockport, ME 200.
§
In
Site 2000,
San Diego/Tijuana 2001
§
In
Between: Art from Poland, 1945-2000,
Chicago Cultural Center, Chicago 2001
§
Plug-In: Unity and Mobility,
Wesfälischen Landesmuseum Münster, Germany 2001
§
MFA Exhibition: 3 Faculty,
Institute of Contemporary Art, Maine College of Art 2001
§
Just what is it that makes trailer homes so different, so appealing?,
Center For Curatorial Studies, Bard College 2001
§
Landscape-Traffic-Syntax, InSITE 2000,
San Diego 2000
§ L’Autre Moitié de l’Europe,
Galerie du Jeu de Paume, Paris 2000
§
The End: An Independent Vision of the History of Contemporary Art,
Exit Art, New York 2000
§
Whitney Biennial,
Whitney Museum of American Art, New York 2000
§
Kwang-ju Biennale,
Kwang-ju, South Korea 2000
§
Around 1984: A look at Art in the Eighties,
PS1 Contemporary Art Center, New York 2000
§
In
Black and White Photography,
Stefan Stux Gallery, New York 2000
§
Less Esthetics, More Ethics,
Venice Architectural Biennial, Venice, Italy 2000
§
Play-Use,
Witte de With, Rotterdam, The Netherlands 2000
§
Ljubjana 2000+,
Ljubjana, Slovenia 2000
§
Video Interventions: Works by Vera Frenkel and Krzysztof Wodiczko,
Ellen L. Jacob Gallery, Wayne State 2000
§
University, Detroit (www.comm.wayne.edu/art/events_interventions00.html)
2000
§
Look Out,
travelling exhibition; Wolverhampton Art Gallery, UK; Pitshanger
Museum & Art Gallery, UK; Ipswich Museum & Art Gallery, UK 2000
§
Traffic,
Kulturabteilung, Graz, Austria 1999
§
Conceptual Reflections in Polish Art, Experience of Discourse 1965-75,
Center for Contemporary Art, Warsaw, Poland 1999
§
The Handle,
Museum Sztuki, Lodz, Poland 1999
§
Vita Brevis: “Let Freedom Ring”,
Institute for Contemporary Art Boston with the video projection,
Bunker Hill Monument, Boston 1998
§
The Hanukkah Project: A Festival in Lights,
Jewish Museum, New York 1998
§
Art from Poland 1945-1995,
Museum of Fine Arts, Budapest, Hungary 1997
§
Face a l'histoire,
Centre Georges Pompidou, Paris 1996/97
§
Project for Survival
(travelling
exhibition), The National Museum of Modern Art, Kyoto; National Museum
of Modern Art, Tokyo, Japan 1996
§
Horizons - 14 Polish Contemporary Artists,
Sonje Museum of Contemporary Art, Seoul, South Korea 1996
§
NowHere (Walking and Thinking and Walking),
Louisiana Museum, Humlebaek,
Denmark
1996
§
Living Units,
McDonald Stewart Art Center, Guelph, Ontario 1996
§
The Luminous Image,
The Alternative Museum, New York 1996
§
Contemporary Canadian Art: Beyond (National) Identities,
Setagaya Museum of Art, Tokyo, Japan (traveling exhibition) 1995
§
Where is Abel, thy brother?,
Zacheta Gallery of Contemporary Art, Warsaw, Poland
1995
§
Spirits on the Crossing, Travelers to/from Nowhere
(travelling
exhibition), Setagaya Art Museum, Tokyo; National Museum of Modern
Art, Kyoto; Hokkaido Museum of Modern Art, Sapporo, Hokkaido, Japan
1995
§
ARS’95,
Museum of Contemporary Art, Helsinki, Finland
1995
§
TRIALOG,
Gruppius Bau, Berlin
1995
§
Light Into Art: From Video to Virtual Reality,
The Contemporary Arts Center, Cincinnati, OH 1994
§
The Little House on the Prairie,
Marc Jancou Gallery, London 1994
§
Paris, ville lumiere: projets d’artistes pour l’espace public parisien,
organized by Direction des Affaires Culturelles de la Mairie de Paris
at the Fondation Electricité de France, Paris (catalogue) 1994
§
Europa, Europa,
organized by Pontus Hulten and Ryszard Stanislawski, Kunstmuseum Bonn,
Germany (catalogue) 1994
§
Revir/Territory,
Kulturhuset, Stockholm, Sweden 1994
§
Camera Politics,
(traveling exhibition), Pittsburgh Center for the Arts 1994
§
La
Ville,
Centre d’Art et de Culture Georges Pompidou, Paris (catalogue) 1994
§
Garbage,
Real Art Ways, Hartford, CT 1994
§
In
and Out of Place: Contemporary Art and the American Social Landscape,
Museum of Fine Arts, Boston (catalogue) 1993-1994
§
In
Transit,
The New Museum of Contemporary Art, New York 1993
§
At
the Edge of Chaos: New Images of the World,
Louisiana Museum of Modern Art, Copenhagen, Denmark (catalogue) 1993
§
2ème Biennale d’Art Contemporain,
Maison de Lyon, Lyons, France (catalogue) 1993
§
Washington University Art Gallery, Seattle 1993
§
Polska,
Art Tower Mito, Ibaraki, Japan (brochure) 1993
§
Arbeitskreis Nr. 2,
Riverviews Danube Canal, Vienna, Austria 1993
§
Fireproof,
Die Wandelhalle, Forum fur Kunst, Koln, Germany 1993
§
Pour la suite du Monde,
Musee d'Art Contemporain, Montreal 1992
§
Rendez-vous manqués,
Galerie Gabrielle Maubrie, Paris 1992
§
The Projected Image,
Museum of Modern Art, San Francisco 1991
§
New York City Tableaux, The Hybrid State,
Exit Art, New York 1991, 90, 87
§
John Weber Gallery, New York 1990, 86
§
Life-Size, A Sense of the Real in Recent Art,
The Israel Museum, Jerusalem 1990
§
The Decade Show, Rhetorical Image,
The New Museum of Contemporary Art, New York 1993
§
DAAD, Berlin 1988
§
Magiciens de la Terre,
Centre G. Pompidou, Paris 1989
§
Image World and Media Culture,
Whitney Museum, New York 1989
§
Edinburgh Festival, UK 1988
§
Wiener Festwochen, Austria 1988
§
Documenta 8,
Kassel, Germany 1987,77
§
Biennale de Venezia, Italy 1986
